September 4 – 7, 2020
Join us for an ALL-INCLUSIVE weekend of dancing and music at beautiful Camp Cedar Glen, in the mountains near the historic town of Julian, east of San Diego, California! Arrive, park, relax, and enjoy! No hotels, no restaurants . . . just clean mountain air and starry nights . . .
|Talent||About Camp||Registration, Cost, & |
Dave Bartley, Julie Bennett,
Marni Rachmiel, Brandon Vance
Dave Bartley plays guitar, mandolin, cittern, and several other stringed instruments. He’s played many styles of music over the years, continues to range over several genres, and has performed throughout the U.S. and Canada, as well as in England, Australia, France, and Greece. It’s hard to keep count of the bands he plays in.
Dave has composed over 300 dance tunes. A waltz he wrote, “The Clock Stopped,” was recorded by the Seattle band KGB and is used to teach cross-step waltz in much of the U.S. and other parts of the world. His reel “Vladi on the Trans-Siberian” seems to be popping up at dances and jam sessions all over the place, including on five recordings.
Julie Bennett began playing drums in grade school, continued in concert band, played throughout high school, then spent many years playing drum kit in rock and folk bands.
In 1990 she found Celtic music, and went on to learn the bodhran (an Irish drum) and other forms of hand percussion, finding ways of incorporating percussion into various styles of Celtic music.
Julie is now very busy with a number of bands that focus on contra dances (Contra Quartet, Olympia Volunteer String Band, Au Contraire), Quebecois (Les Gens du Chutes), Irish music (Curlew’s Call), and folk-rock (Humor & Heart). One of her most memorable experiences was playing with the Chieftains in Olympia, Washington.
Marni Rachmiel plays flute, piccolo, and saxophone in a number of configurations, mainly for contra and English country dancing—and every now and then might do some singing or play keyboards or an English concertina. Marni has written a bunch of tunes, and is the dance coordinator and a board member for the FAR-West Regional Folk Alliance conference.
Brandon Vance, internationally acclaimed Scottish fiddler and violinist, is the recipient of Scotland’s 2017 Royal National Mòd Sutherland Cup in Scottish Fiddle, and was twice, in 1999 and 2001, the youngest player to win the U.S. National Open Scottish Fiddling Championship.
Brandon has performed and taught internationally, served as a guest lecturer at the University of Limerick’s Irish World Academy, appeared as guest artist for the 50th Anniversary of the Armagh Piper’s Club at the William Kennedy Piping Festival, and was selected as a featured soloist for the 2017 Scottish Royal National Mòd, in Fort William, Scotland.
With a master’s in music from the Cleveland Institute of Music, one of the continent’s most distinguished conservatories, Brandon performs with Seattle-based Pacific Music Works, Early Music Vancouver, Northwest Sinfonietta, mandolinist John Reischman, vocalist Nadia Tarnawsky, cimbalom player Alex Fedoriouk, uilleann piper Eliot Grasso, and composer Stephen Rice.
In addition to being a founding member of the Celtic ensemble Dréos and the world-music ensemble Alchymeia, Brandon Vance is a composer with a distinctive melodic and harmonic vocabulary. He gave the world premiere of his original composition Gael Storm for fiddle and orchestra, with the Cleveland Pops Orchestra at Cleveland’s Severance Hall.
Ed Howe, Stuart Kenney,
Edith Gawler, Bennett Konesni
Born into a musical family, Ed Howe began playing fiddle at age four, learning Suzuki method. His musical interests cover a wide spectrum, from bluegrass to Celtic and beyond, and he has been a regular instructor at Maine Fiddle Camp since 2003. Ed also has an extensive background in electronics, and has taken an interest in the electric violin. He plays a five-string NS Design electronic violin, and is a featured artist on NS Design’s NS Artists webpage. Ed makes extensive use of the Boss RC-50 Loop Station to layer and orchestrate a variety of sounds from his instrument—watching him play while operating complex electronic gear with his bare feet is a sight to behold. (Check out this video of him playing solo.) With John Coté, Ed cofounded the renowned contra dance band Perpetual eMotion.
Ed says this about himself and his music: “Fiddler, maestro of improv, I exceedingly enjoy weaving in and out of tunes, building energy and resolving tension. Drawing from New England, Acadian, bluegrass, contemporary folk, house, or electronica, my palette is wide. My love for the art is deep. Music is a feeling, not a sound; it should be felt in the soul, from me to you, a gift that I’m honored, humbled, and very pleased to offer you.”
Stuart Kenney is one of the most in-demand double-bass and five-string banjo players on the contra dance circuit. His musical interests range from New England contra dance to Cajun, blues, Acadian, and Quebecois. The inclusion of French Canadian music in the living tradition of New England contra dance music caught his attention early on, and drew him into a collaboration with several other musicians in the band Tidal Wave.
Stuart’s flexibility and personality have allowed him to play with many successful dance bands, and he has a long history with them, including as a founding member of Airdance, Greenfield Dance Band, The Sevens, Tidal Wave, and Undertoe. He spent 14 years touring with the legendary contra dance band Wild Asparagus. Stuart is also much in demand as a studio musician, with over 50 recordings to his credit.
Although Stuart’s music has taken him from coast to coast, his musical home is the Guiding Star Grange, in Greenfield, Massachusetts, where he plays for and hosts many dances. He and his wife, Alice, host the TopHill Music series of contra dance parties at the Grange on the second and fourth Saturday nights of each month.
Stuart offers instruction in double bass for dance musicians, and in northern-style five-string banjo.
Edith Gawler grew up in Maine as a member of the legendary Gawler Family Band. She plays fiddle, banjo, and double bass, and belts out songs in a rich, sonorous alto. Not long ago, at Syracuse University, Edith finished her architectural thesis, which draws on the principles of the local sustainable food movement as a model for a new architecture. When not singing in the fields with her husband, Bennett Konesni, she works as a junior architect at the award-winning architectural firm GO Logic.
Also a native Mainer, Bennett Konesni runs the family farm, Duckback Farm, where he and Edith grow and sell gourmet garlic, teas, and culinary herbs. Though he received his MBA from Antioch University New England in 2009, Bennett’s passion is work songs: music that transforms labor into something between work and play. He envisions a world in which farmers, cooks, and eaters once again sing in fields, kitchens, and at the table. As a student at Middlebury College, Bennett cofounded the student farm, and majored in Music, Anthropology, and Environmental Studies; on graduation, he was awarded a Thomas J. Watson fellowship to spend a year studying work songs on three continents. He established worksongs.org, where he shares his 20 years of work-song research and development.
Bennett also cofounded Sylvester Manor, a 243-acre educational farm on Shelter Island, New York, on a piece of land that has been in his family since 1652. His roles there include teaching work songs to the farm crew and directing the annual fall festival, Plant & Sing, which brings the community to the farm to complete two weeks’ worth of garlic shucking and planting in a single morning, all while singing work songs.
Bennett recently toured Mongolia and Ukraine with the string band Old Grey Goose, as musical ambassadors for the U.S. Department of State.
Together, Edith and Bennett balance their life on Shelter Island with their home in Maine. They perform with several bands, including their Shelter Island–based Sylvester Manor Worksongers; their Maine groups, the Gawler Sisters and Gawler Family Band; and their roots-music duo, Edith & Bennett.
Deb Comly (AZ) was bitten by the contra bug in 1994, took off dancing across the country, and never looked back. Passionate about the dance, she brings her upbeat manner and community spirit to all she does.
An avid dancer, organizer, and occasional musician, Deb knows what she values, and strives to bring these things to the dances she calls. She believes in efficient and clear walk-throughs, dances that flow, interesting and varied programs tailored to each situation, and knowing when to stand back and let the music take dancers to the next level.
A longtime favorite in her Southwestern community, Deb has also called on both coasts. Known for her bright, clear teaching and her smooth contralto calls, she brings a sultry, fresh-scrubbed playfulness to her dances. From her beaming smile to her happy feet, Deb’s energy is contagious.
Jacqui Grennan (CA) is a dance caller and choreographer who lives in Los Angeles, CA. She’s been contra dancing since 2010, and travels extensively for fun, dancing, and calling. She’s known for her sense of building community in contra dancing by choosing dances and a teaching style that are suitable for the dancers on the floor. Jacqui teaches ukulele, and also dabbles in playing many other musical instruments.
Our annual Labor Day Dance Away is held on Labor Day weekend at the beautiful Camp Cedar Glen, just above the historic town of Julian. Come early or stay late to visit Julian, “Apple Capital of California.” Celebrate the end of summer with all your friends as you dance, dance, dance the long weekend away!
Camp Cedar Glen is at an elevation of about 4,500 feet in the Cuyamaca Mountains. Shaded by cedars and oaks, the camp is usually a bit cooler than the valley below. The lovely, solar-heated swimming pool always proves popular on warm afternoons.
Camerer Hall, where we share family-style meals and dance on the beautiful maple dance floor, is the camp’s main building. It has a lovely front porch where people congregate to chat, jam, play games, or hang out between dances.
There are lots of opportunities to share musical talents! Jams, both organized and spontaneous, happen all around camp. The Gazebo is a favorite singing spot. Sometimes, staff musicians offer private or small-group lessons to campers.
REGISTRATION & COSTS
- The all-inclusive cost of the weekend is $395. However, register before July 4 and pay only $355. Furthermore, if you’re a first-time attendee, a full-time student, or under age 33, register anytime for only $325.
- Non-dancing friends or partners are welcome at a discounted rate of $275. They can hike, read, or play games on the front porch, and enjoy the non-dance activities and meals, as well as bask in the beautiful setting.
- Youth under age 18 register for $225, and local residents (meals only, no housing) for $260.
- Register early, hold a spot with a $50 deposit, and pay the balance by August 15, 2020.
- Scholarships: For those in need, there are a very limited number of work scholarships, with a discounted registration fee. E-mail Larry at email@example.com with scholarship requests. Requests must be made and approved prior to registering.
- Donations to the Scholarship Fund are gratefully accepted to help make participation possible for those with financial hardships. You may donate when registering.
- Cancellations: Receive a full refund less $25 until August 21. After August 21, no refund, except (at our discretion) when cancellation is due to an emergency.
- Optional costs: Friday Dinner at 6:30 p.m. ($12), Private Room ($65 per person, double occupancy only), Bedding & Linen Set ($25). Please order these on the registration form.
- Complete your registration and payment online, or complete registration online and mail a check:
[Online registration is not available yet. Please check back at a later date, or use the Mail-In Registration Form, below.]
- Download Mail-In Form and mail with check:
Mail-In Registration Form
To Pay by CHECK:
Make check payable to California Dance Cooperative or “CDC” and send to:
P.O. Box 601041
San Diego, CA 92160
Questions: Please contact our registrar, Larry Fine, at
(619) 738-4155 between 9:00 a.m. and 9:00 p.m. Pacific Time,
or e-mail him at firstname.lastname@example.org.
- We strive to create a camp community that is welcoming, inclusive, and safe for all dancers.
- LDDA is a non–gender-balanced event. The general rule is “Dance with who’s coming at you.” Although most calling is “Gents” and “Ladies,” we encourage campers to dance any role, with any partner they choose.
- Our goal is to foster an environment where dancers are comfortable both in asking for a dance and in declining one. Ask partners kindly, and accept their answers graciously.
- For the sake of those who are sensitive to chemicals, please leave perfume, cologne, and scented lotions at home.
- Please wear dance footwear that won’t damage the wooden dance floor — generally soft soles and no spiked heels.
- No pets or emotional support animals are allowed at camp. Service animals (as defined by law) are welcome. If you are bringing a service animal, please advise the registrar in advance so that we can make proper accommodation.
- No alcohol or recreational drugs are permitted at camp.
- Bring musical instruments (along with a music stand) if you have them. Take advantage of the opportunities to jam and learn.
Evening Dances (Friday, Saturday, Sunday) will be OPEN TO THE PUBLIC, at $25 each evening.
All meals from Saturday breakfast through Monday lunch are included with your registration. Friday dinner, at 6:30 p.m., is available for $12.00 additional per person. Please order Friday dinner in advance when registering.
Meals include meat, poultry, and dairy products. Protein-rich vegetarian alternatives will be available for all meals. Please indicate vegetarian preference when registering.
Dairy-free, gluten-free, and vegan options are provided for those who specify these preferences at time of registration. If you have more specialized needs, there is some refrigerator space available for you to store food brought from home.
Healthy, yummy, high-energy snacks will be available throughout much of the weekend.
Most participants are housed in cabins, which are pre-assigned based on the preferences they indicate when registering. Same and opposite gendered, non-gendered, couple, and family options are available. Each cabin has a bathroom and a shower.
A limited number of private rooms are available on a first-come, first-served basis for an extra $130 per couple ($65 per registration) — DOUBLE-OCCUPANCY ONLY! You can choose this option when registering.
There is also space on the property for tents and for RV parking. Both come with bathroom and shower privileges in a nearby cabin. You can choose this option when registering.
Please bring your own bedding, towels, and fragrance-free toiletries. For those dancers who are flying in, a limited number of bedding and linen sets are available to rent. The cost is $25 per set (towel, wash cloth, sheets, pillow, blanket, etc.). Request when registering.
WORKSHOPS & ACTIVITIES
(subject to change)
- Apple Pie Making
- Board Games
- Callers Workshop & Round-tables
- Camper Band & Monday Morning Waltz Session
- Dance Producers Round-tables
- Dance Workshop (Reverse Rotation Swing)
- Fiber Arts Fellowship
- Fiddle Workshop
- Guitar Workshop
- Hambo Dance Workshops
- Mandolin Workshop
- Musicians Workshop with Each Band
- Musical Improvisation Workshop
- Schottische Workshop
- Shimmy Workshop
- Tune Writing Workshop
- Ukulele Workshops
- Wolf Education Project & Talk
- Yoga Sessions
(2020 coming soon)
* Music Workshops led by our Talent!
|8:00 – 9:15||Contra Dance – Will w/ Audacious|
|9:30 – 11:00||Contra Dance – Frannie w/ Dam Beavers|
|7:00 – 8:00||Yoga with Sarah|
|9:15 – 9:45||Morning Waltzes – Audacious|
|9:45 – 11:00||Contra Dance – Frannie w/ Audacious|
|10:45 – 12:00||* Caller Workshop – Will|
|11:00 – 12:00||Camper Led Singing|
|11:15 – 12:00||Hambo Workshop – John Chittum & Dori Lehner |
w/ Dam Beavers
|11:15 – 12:00||* Improv Musical Workshop – Casey Murray|
(Callers Round-table w/ Frannie )
(Dance Producers Round-table [Session 1] – Carl Morgan
|1:25 – 1:40||Shimmy Workshop – Dawit Tegegne w/ Dam Beavers|
|1:25 – 1:40||Reverse Rotation Swing Workshop – Jerry Robin & Toban|
|1:45 – 3:00||Contra Dance – Will w/ Dam Beavers|
|1:45 – 3:00||* Fiddle Workshop – Audrey Knuth|
|2:00 – 5:00||POOL OPEN|
|3:15 – 4:15||Schottische Workshop – w/ Audacious|
|3:15 – 4:15||Ukulele Workshop #1 – Jacqui Grennan|
|3:15 – 4:15||Camper Waltz Band – Kim Spalding|
|4:30 – 5:30||* Musician Workshop – Dam Beavers & YOU|
|4:30 – 5:30||Yoga with Sarah|
|4:30 – 5:30||Contra Dance – Frannie w/ Audacious|
|7:15 – 7:45||Concert by Dam Beavers|
|8:00 – 9:30||Evening Contra Dance – Frannie w/ Dam Beavers|
|10:00 – 11:30||Evening Contra Dance – Will w/ Audacious|
|7:00 – 8:00||Yoga with Sarah|
(Sign-Up for Apple Pie Making)
|9:15 – 9:45||Morning Waltzes – Dam Beavers|
|9:30 – 10:30||* Guitar Workshop – Larry Unger|
|9:45 – 11:00||Contra Dance – Will w/ Dam Beavers|
|10:45 – 12:00||* Tune Writing Workshop – Larry Unger|
|11:00 – 12:00||Camper Led Singing|
|11:15 – 12:00||Hambo Workshop – John Chittum & Dori Lehner |
(Callers Round-table w/ Will)
(Dance Producers’ Round-table [Session 2] – Carl Morgan
|1:15 – 1:30||Group photo on front porch of Main Hall|
|1:45 – 3:00||Contra Dance – 40 min. |
Medley followed by Contras –
Frannie w/ Audacious
|1:45 – 3:00||Camper Waltz Band – Kim Spalding|
|2:00 – 5:00||POOL OPEN|
|3:15 – 4:15||Contra Dance – Frannie w/ Dam Beavers|
|3:15 – 4:15||Camper Led Singing|
|3:15 – 4:15||Ukulele Workshop #2 – Jacqui Grennan|
|3:15 – 4:15||Apple Pie Making – Brenda Goodwin|
|3:15 – 4:15||* Mandolin Workshop – Glen Loper|
|4:30 – 5:30||* Musician Workshop – Audacious & YOU|
|4:30 – 5:30||Yoga with Sarah|
|4:30 – 5:30||Contra Dance – Will w/ Dam Beavers|
|6:15||Raffle Winners (Announcement & Posting)|
|7:15 – 7:45||Concert by Audacious|
|8:00 – 9:30||Evening Contra Dance – Will w/ Audacious|
|9:30 – 10:00||Extended Break ~ Apple Pie Social|
|10:00 – 11:30||Evening Contra Dance – Frannie w/ Dam Beavers|
|7:30 – 8:30||Yoga with Sarah|
|9:30 – 10:00||Camper Band Waltzes led by Kim Spalding|
|10:15 – 11:00||Farewell Dance – Frannie w/ Audacious|
|11:15 – 12:00||Farewell Dance – Will w/ Dam Beavers|
|12:10 – 12:40||Both Callers w/ Both Bands|
|12:40||Dance ends – pack a sack LUNCH to go home|
|1:30||All campers must be out of camp, unless you would like tohelp clean up!|
Raffle proceeds support this wonderful dance weekend. Popular raffle items include handicrafts or artwork, musical instruments, jewelry, dance shoes and accessories, new CDs, homemade foodstuff, gift baskets, discount admission for another dance weekend, etc.
We need YOUR help to make it a success. Please think about what you might have that others may want to win.
If you have questions or plan to bring a raffle item, please contact the raffle organizer, Brenda, at email@example.com.
LOCATION & DIRECTIONS
Camp Cedar Glen
743 Farmer Road, Julian, CA 92036
- In Julian, go west on Main St. and continue to the stop sign at Wynola Rd. (Note that Main St changes to Farmer Rd.)
- Turn east (right) on Wynola Rd.
- In about a 1/2 block, turn left onto a continuation of Farmer Rd.
- Continue north 3/4 of a mile to the bottom of the hill.
- Turn right through a cattle gate and proceed to the end of the 1/2-mile long drive to the camp.
- Park in the lot in front of the main building, Camerer Hall, and check in to get your housing assignment and other information.
If you NEED a ride or can OFFER a ride, please contact our carpool coordinator Louise at LaborDayDance@gmail.com
For information on other carpools available, visit our Facebook Group Labor Day Dance Away (LDDA) and post a request.
If you are flying in, San Diego (SAN) is the closest airport. Dancers arriving around the same time often arrange carpools from the airport. Alternative airports are Los Angeles (LAX) and Ontario (ONT).
(619) 738-4155 between 9:00 a.m. and 9:00 p.m. PT. or
|2005||Reckless Ramblers||Mary Keith Cornett|
|2006||Latter Day Lizards||Cis Hinkle|
|Hillbillies from Mars||Scott Higgs|
|2007||Big Bandemonium||Joseph Pimental|
|(an 8-member band)||Beth Molaro|
|2008||Wild Asparagus||George Marshall|
|Great Bear Trio||Susan Petrick|
|Tidal Wave||Lynn Ackerson|
|2010||The Syncopaths||Seth Tepfer|
|Dr. Groove||Susan Michaels|
|2012||Latter Day Lizards||Bob Isaacs|
|Avant Gardeners||Lisa Greenleaf|
|2013||Wild Asparagus||George Marshall|
|KGB||Laura Me’ Smith|
|Uncle Farmer||Linda Leslie|
|Triple A||Sarah VanNorstrand|
|2017||Rhythm Raptors||Bob Isaacs|
|Uncle Farmer||Lynn Ackerson|
|2018||Toss the Possum||Seth Tepfer|
|George Paul, Ashley Broder,|
Ben Schreiber, Christa Burch
|The Dam Beavers||Frannie Marr|
|2020||Contra Sutra||Deb Comly|
|Drive Train||Jacqui Grennan|